Tuesday, 20 June 2017

Andrew Goodwin

Andrew Goodwin’s Theory
Blue neighbourhood – Troye Sivan
Cherry wine - Hozier
What makes you beautiful – one direction
Galway girl – Ed sheeran
Wake me up - Avicii
Genre characteristics: style and iconography  (e.g. stage performance in metal video, dance routine for boy/girl band)

Narrative video is typical of the genre and the soft lighting
Focus on boyband moving camera cut shots


Relationship between lyrics and visuals with the visuals illustrating, amplifying or contradicting the lyrics

The lyrics do compliment the visuals, wild the start of a relationship, fools the breakdown and talk me down the aftermath
The narrative is about the lyrics
Emphasis on band
Visuals of what they are doing in the song
The idea of ‘finding myself’ is present in the lyrics and the narrative of the video
A relationship between the music and visuals, eg editing to the beat

The videos have lots of intercutting clips, which change on the beat

Tapping at the beginning in time with beat
Fast forward in time with music
The dancing at the end is in time with the music
Multiple close up shots of the artists to create visual style, a ‘star image’ to sell the artist

Multiple close up of troye sivan singing,
Artist isn’t in the video
Most of the focus on the band
Artist not in it, but his POV
They go to an avicii concert at the end and there are multiple close ups of their logo
A frequent reference to notion of looking (screens within screens, mobile phones, billboards and particularly voyeuristic treatment of the female body)

Looking at herself in the mirror, however not voyeuristically, but as a victim

The entire video is portrayed as being filmed on a phone, so the idea of looking is there
 Close up on faces of people looking at them
Inter-textual references to other media texts may be present, (eg films, TV programmes, other music videos etc). Often used in humorous or parody videos
Intertextual references to injustices in the real world and the impacts of homophobic parents on children
Again real world injustices



No comments:

Post a Comment