Sunday, 31 December 2017
Box shots
This is some footage of us testing whether my phone would be the best fit for filming inside the box, as because we did not have access to the go pro as we originally planned. We eventually decided to use the nikon camera as it was better quality and as it didn't crop out most of mine and Alisha's faces as this footage does.
Saturday, 30 December 2017
Band Name
shooting schedule
Friday 8th December
|
All bike shots, school shots and bench shots
|
Phoebe Alisha Morgan Sophie
|
Saturday 9th Decemeber
|
Town shots, park and box
|
Phoebe Alisha Morgan Sophie Kelsey
|
Sunday 10th December
|
Park and box (all unfinished)
|
Phoebe Alisha Morgan Sophie Kelsey
|
Sunday, 10 December 2017
Filming
We filmed yesterday the 9th December and Friday the eighth. Unfortunately we could not film today as it snowed unexpectedly, and we would lose continuity.
In the video we discussed potential ideas that we had that we were thinking of exploring, but due to the difficulty of filming these shots we decided not to have the spade or compass come out of the paper and instead have the comical element of them being able to find their wy using only a drawn compass
In the video we discussed potential ideas that we had that we were thinking of exploring, but due to the difficulty of filming these shots we decided not to have the spade or compass come out of the paper and instead have the comical element of them being able to find their wy using only a drawn compass
Saturday, 9 December 2017
making the map
Thursday, 7 December 2017
change from pitch
After discussion and storyboarding we realised that our idea had now changed dramatically from our original pitch. We decided to re-pitch our new idea to the class. After this pitch we decided to film both our new idea and a toned down version of it and do an audience survey during editing to see which is preferred.
Thursday, 30 November 2017
Wednesday, 29 November 2017
Friday, 24 November 2017
Audience Feedback
The questions we asked were ideas for location, and which angle people thought would be best for the video.
The ideas we got during the pitch were all in response to the second question. Everyone said that daytime was the best time to film and that having feminism, youth and ethnicity was too many angles. They suggested having youth as our main angle and just having feminism and ethnicity as an angle due to the actors we cast. People also liked the idea of bikes more than trains, as they expressed concerns about getting permission to film other passengers an to film on the train at all.












Some other questions that were asked were:
Q: How is the video feminist?
A: We thought the video was feminist as it promoted freedom and camraderie between young women. This is still an angle in our video, but just in the background, due to our casting of only teenage girls as the main cast.
Q: Are you following the lyrics at all? Is there any lipsyncing?
A: We don't follow the lyrics, although they were the inspiration or the theme of ethnicity and have impacted the tone of our piece.
Q: How many locations would you use?
A: more than five and less than ten, although we don't have an exact number
Q: How would you film cycling?
A: Alisha owns a GoPro which we would film the POV shots on the bike, and the other shots would be stationary shots.
Q: You could film on the ridgeway or in museums?
A: Due to copyright and permission reasons we can't film in museums, however we are now filming on the ridgeway
The ideas we got during the pitch were all in response to the second question. Everyone said that daytime was the best time to film and that having feminism, youth and ethnicity was too many angles. They suggested having youth as our main angle and just having feminism and ethnicity as an angle due to the actors we cast. People also liked the idea of bikes more than trains, as they expressed concerns about getting permission to film other passengers an to film on the train at all.












Some other questions that were asked were:
Q: How is the video feminist?
A: We thought the video was feminist as it promoted freedom and camraderie between young women. This is still an angle in our video, but just in the background, due to our casting of only teenage girls as the main cast.
Q: Are you following the lyrics at all? Is there any lipsyncing?
A: We don't follow the lyrics, although they were the inspiration or the theme of ethnicity and have impacted the tone of our piece.
Q: How many locations would you use?
A: more than five and less than ten, although we don't have an exact number
Q: How would you film cycling?
A: Alisha owns a GoPro which we would film the POV shots on the bike, and the other shots would be stationary shots.
Q: You could film on the ridgeway or in museums?
A: Due to copyright and permission reasons we can't film in museums, however we are now filming on the ridgeway
Friday, 17 November 2017
Lyrics
Coming up slowly, oh, sun over the hill
Daylight's still a long time coming
But I know it will
Been under this spell, oh, but we're coming awake
So we'll be rude, we'll be loud
As long as it takes
This is why, this is why,
We crank the dial to the right
This is why we're biting the bullet
We know the kids are right
Sing
Different colors
We carry each other
We're just different colors
This is why we're biting the bullet
We know the kids are right
We keep cranking the music up
Driving through our towns
But they don't wanna hear
They want us to turn it down
So come on lovers, come on haters
Tonight we raise the fire
Cause when the people get to dancing
They forget about taking sides
This is why, this is why,
We crank the dial to the right
This is why we're biting the bullet
We know the kids are right
Sing
Different colors
We carry each other
We're just different colors
This is why we're biting the bullet
We know the kids are right
(For every action, there is an equal and opposite reaction)
(Opposite, opposite reaction)
We're coming awake, out of your spell,
As long as it takes, we're coming awake
We're coming awake, out of your spell,
As long as it takes, we're coming awake
This is why, this is why,
We crank the dial to the right
This is why we're biting the bullet
We know the kids are right
I said, this is why, this is why
We're tearing it up all night
Oh this is why we're biting the bullet
We know the kids are right
Different colors
We carry each other
We're just different colors
This is why we're biting the bullet
We know the kids are right
Different colors
We carry each other
(Oh yeah)
We're just different colors
This is why we're biting the bullet
We know the kids are right
Tuesday, 24 October 2017
Actors
We are trying to have a diverse cast so therefore our cast so far is me and Alisha.
Alisha is Indian and I am Caucasian. We possibly have two other actors, one who is black and one who is Caucasian.
Tuesday, 17 October 2017
Wednesday, 11 October 2017
Song Choice
We've chosen this song for our video as it fits the lighthearted friendship vibe we were looking for and has a good beat we can edit to.
Wednesday, 4 October 2017
New Group and Plan
Now that our group has changed, I am working with Sophie, Morgan and Alisha. As our ideas were wildly different we decided to start over.
We have an outline for our video where friends in school find a map and the go looking to the 'x' at the end, and the video is them following the map and messing around, and at the end they find a box and the last shot is from inside the box and you see their awed faces, but you never see what's inside.
However we haven't finalised a sing, but some song ideas we had were:
Hungry like the wolf
Devil you know by X Ambassadors
Regegades by X Ambassadors
King for a day by Kasabian
Weekend by the Mispers
I personally like king for a day and weekend, as I feel they have the upbeat, high energy vibe we want, however not everyone in our group agrees, so we need to finalise our choice.
We have an outline for our video where friends in school find a map and the go looking to the 'x' at the end, and the video is them following the map and messing around, and at the end they find a box and the last shot is from inside the box and you see their awed faces, but you never see what's inside.
However we haven't finalised a sing, but some song ideas we had were:
Hungry like the wolf
Devil you know by X Ambassadors
Regegades by X Ambassadors
King for a day by Kasabian
Weekend by the Mispers
I personally like king for a day and weekend, as I feel they have the upbeat, high energy vibe we want, however not everyone in our group agrees, so we need to finalise our choice.
Tuesday, 12 September 2017
Plan
Here's a cleaner, more detailed, typed version of one of the sheets from my 'Planning' post:
Receiving the letter
I hear the sound - close up of walking feet glitching to flashback
Echoes beneath
Angels and skylines meet - spinning shot of the canopy of trees, glitching to flashback
And I'm straining to reach - walking with lantern, with glitch
The light on the surface
Light on the other side
I feel the pages turning - Burning the letter and lip-syncing
I see the candle burning down
Before my eyes
Before my wild eyes - look at camera
I feel you holding me - meeting and struggling, glitching back to before *
Tighter I cannot see
When will we finally
Breathe x 7 -flashbacks and lead through forest - lots of flashback narrative here
I feel the pages turning - jerk to a stop
I see the candle burning down -time lapse of the fallen lantern burning down
Before my eyes -focus on her looking down
Before my wild eyes - eyes up to camera
I feel you holding me - hands on shoulders and glitch to past hug
Tighter I cannot see - he pushes her to her knees
When will we finally - puts dagger to her throat, she closes her eyes and takes a breath
Breathe x 7 - flashbacks - end o black and white of present *
Instrumental - fighting
Breathe x 7 - still fighting and at the last 'breathe' she is over him and inhales and lifts up the dagger then it cuts
Receiving the letter
I hear the sound - close up of walking feet glitching to flashback
Echoes beneath
Angels and skylines meet - spinning shot of the canopy of trees, glitching to flashback
And I'm straining to reach - walking with lantern, with glitch
The light on the surface
Light on the other side
I feel the pages turning - Burning the letter and lip-syncing
I see the candle burning down
Before my eyes
Before my wild eyes - look at camera
I feel you holding me - meeting and struggling, glitching back to before *
Tighter I cannot see
When will we finally
Breathe x 7 -flashbacks and lead through forest - lots of flashback narrative here
I feel the pages turning - jerk to a stop
I see the candle burning down -time lapse of the fallen lantern burning down
Before my eyes -focus on her looking down
Before my wild eyes - eyes up to camera
I feel you holding me - hands on shoulders and glitch to past hug
Tighter I cannot see - he pushes her to her knees
When will we finally - puts dagger to her throat, she closes her eyes and takes a breath
Breathe x 7 - flashbacks - end o black and white of present *
Instrumental - fighting
Breathe x 7 - still fighting and at the last 'breathe' she is over him and inhales and lifts up the dagger then it cuts
Lyrics to Breathe
I hear the sound
Echoes beneath
Angels and skylines meet
And I'm straining to reach
The light on the surface
Light on the other side
I feel the pages turning
I see the candle burning down
Before my eyes
Before my wild eyes
I feel you holding me
Tighter I cannot see
When will we finally
Breathe x 7
I feel the pages turning
I see the candle burning down
Before my eyes
Before my wild eyes
I feel you holding me
Tighter I cannot see
When will we finally
Breathe x 7
Instrumental
Breathe x 7
Echoes beneath
Angels and skylines meet
And I'm straining to reach
The light on the surface
Light on the other side
I feel the pages turning
I see the candle burning down
Before my eyes
Before my wild eyes
I feel you holding me
Tighter I cannot see
When will we finally
Breathe x 7
I feel the pages turning
I see the candle burning down
Before my eyes
Before my wild eyes
I feel you holding me
Tighter I cannot see
When will we finally
Breathe x 7
Instrumental
Breathe x 7
Breathe - Fleurie
The song we have decided to do is 'Breathe' by Fleurie. The idea we have for this is a narrative video.It starts before the song with a woman, in clothing of ambiguous time period, recieving a letter. The song then starts and we see her walking through a forest with a lantern, with glitches to flashbacks of when she has done this before. During the first chorus we see her burning the letter on candle and lipsyncing. We then see her meet a man in the woods, who we see through flashbacks she was romantic with, who then tries to kill her with a dagger. She fights him and overpowers him and gins the dagger and the video ends ambiguously, the audience unsure whether she kills him or not.
The atmosphere of the video is inspired by 'Safe and Sound' by Taylor Swift, which although is not exactly the same genre ('Breathe is Alternative Indie folk and 'Safe and Sound' is Folk alternative country) is a very similar genre and shares many of the same conventions.
Youth - Daughter
Another song we considered was Youth. The narrative we considered was a non-linear one, where we see a group of carefree friends , interspersed with two of them in a relationship and also interspersed with the girl in the relationship breaking down. The audience then find out when the song says 'one will die before he gets there' that the boyfriend has died. We then see the friends comforting the girlfriend, still interspersed with the friends when they were carefree. We ultimately decided that this idea was not original enough and that there was still not enough room for exploration in this song or idea.
Runaway - Ed Sheeran
We looked at Runaway as an song we could use for our music video. Our idea was to follow the existing narrative of the song and have the main character meet up with someone else in the woods, while avoiding their father. We were going to have lots of dim lighting and shadows, and ultimately only show the shadow or individual body parts of the father. We ultimately decided this was a weak idea, as we were constrained by the strong narrative of the song and felt that a song with less of a clear narrative would be better.
Promotional Material - Gabrielle Aplin
Please Don't Go - Joel Adams
- focus on artist
- slightly fantasy - lights
- forest
- focus on the back of the artist
- mix of lip-syncing and performance and narrative
- looking into the camera at parts
Let it Go - James Bay
- focus on artist
- moving camera
- mix of lip-syncing and not
- long continuous shots
- isolation
Pompeii - Bastille
- Focus on artist
- mix of lip-syncing and narrative
- shaky camerawork
- abandoned city, then nature - isolation
- multiple shots of the back of the artist
Wednesday, 19 July 2017
Audience feedback
Transcript:
Very good shots and looks very similar to the real thing :)
www. Amazing shots! It was really effective. a really creative alernative use of the coloured paper rather than the flag.
Q. If you had more time, would you have found another alternative to the tears?
www: Edited the abuse scenes in time with the actual video. I like the low angle shot of River in the forest.
Question: Why didn't you pick a son with lip syncing
Loved the pace of shots, edited together so well.
Would you use a similar style/ genre for your real music video?
In answer to the first question, we did consider ways to make the tears. We first considered actual wax and ad we had the time yes this is what most likely what we would have gone with. As it was we tried using icing, however although they looked accurate they did not stay on so we had to abandon them.
in answer to the second, I am looking at indie for my genre, though I am not sure of a song yet, and I really like the shots at the beginning in the woods, so it is a possibility.
Differences
While filming the prelim, I found many differences between the film openings and the music video. Firstly the style is more abstract and with more establishing shots, even if it is a narrative video. Secondly, there are s lot more cut shots in the music video and it is faster paced. It is as harder to edit as you have to edit to the beat.
Friday, 14 July 2017
Friday, 7 July 2017
Prelim Filming 2
The second half of filming at Mine and Sophie's house, with the father and son arguing.
Wednesday, 5 July 2017
Unsteady - x ambassadors
As an example of a narrative video I chose Unsteady by the X Ambassadors, as I thought it showed an unusual narrative. Told half through flashbacks, the story is of a failing relationship, with an presumably alcoholic father and flashbacks showing the beginnings of the relationship, when things like adding alcohol to coffee was illicit, rather than a warning sign. These parallels have interesting cut shots with whispering in the ear turning from sensual to angry and the pouring alcohol, facing from the past to the present. The video ends on a cliff hanger and the audience is unsure of what is going to the couple.
Flipped
Cast
Props and Location
For the first location we decided to film in Forty Hall as we knew that there was along that looked similar to the one in the shot. We attempted to make the wax tears that were used in this location, but we ultimately failed.
For this shot we decided to film in River's kitchen as there were similar tiles there. We also bought some glasses, so we could refill if we need to.
The final location is a living room, which we decided to film in mine and Sophie's house, as there was enough space to do this.
Prelim filming schedule
We filmed the shots in the woods on 23rd June and we filmed the shots of the fighting on the 2nd July. We plan to film the flag next week, as it will not take long.
Thursday, 29 June 2017
Prelim
For our prelim we (River, Sophie and I) decided to recreate the opening of 'Boys Will Be Boys' by Benny, as we really liked the opening in the woods and felt that the next part, of the father and son arguing, would show our knowledge of editing to the beat.
Tuesday, 20 June 2017
Andrew Goodwin
|
Andrew Goodwin’s Theory
|
Blue
neighbourhood – Troye Sivan
|
Cherry
wine - Hozier
|
What
makes you beautiful – one direction
|
Galway
girl – Ed sheeran
|
Wake
me up - Avicii
|
|
Genre
characteristics: style and
iconography (e.g. stage performance in
metal video, dance routine for boy/girl band)
|
|
Narrative
video is typical of the genre and the soft lighting
|
Focus
on boyband moving camera cut shots
|
|
|
|
Relationship
between lyrics and visuals with the visuals illustrating, amplifying or
contradicting the lyrics
|
The
lyrics do compliment the visuals, wild the start of a relationship, fools the
breakdown and talk me down the aftermath
|
The
narrative is about the lyrics
|
Emphasis
on band
|
Visuals
of what they are doing in the song
|
The
idea of ‘finding myself’ is present in the lyrics and the narrative of the
video
|
|
A relationship
between the music and visuals, eg editing to the beat
|
The
videos have lots of intercutting clips, which change on the beat
|
|
Tapping
at the beginning in time with beat
|
Fast
forward in time with music
|
The
dancing at the end is in time with the music
|
|
Multiple
close up shots of the artists to create visual
style, a ‘star image’ to sell the artist
|
Multiple
close up of troye sivan singing,
|
Artist
isn’t in the video
|
Most
of the focus on the band
|
Artist
not in it, but his POV
|
They
go to an avicii concert at the end and there are multiple close ups of their
logo
|
|
A
frequent reference to notion of looking (screens within screens,
mobile phones, billboards and particularly voyeuristic treatment of
the female body)
|
|
Looking
at herself in the mirror, however not voyeuristically, but as a victim
|
|
The
entire video is portrayed as being filmed on a phone, so the idea of looking
is there
|
Close up on faces of people looking at them
|
|
Inter-textual
references to other media texts
may be present, (eg films, TV programmes, other music videos etc). Often
used in humorous or parody videos
|
Intertextual
references to injustices in the real world and the impacts of homophobic
parents on children
|
Again
real world injustices
|
|
|
|
Galway Girl
Ed Sheeran's 'Galway Girl' is a narrative video, which uses POV shot,which immerses the viewer in the video, as if they are the person behind the camera. It also gives the video a sense of realism, which s also present in the song as he says "I swear I'm gonna put you in a song that I write about a Galway girl and a perfect night"
What Makes You Beautiful
One direction's 'What makes you beautiful' focuses on the performers, as much of there music is liked due to the band's fame and popularity so they are the focus of the video in the hopes of drawing people in.
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